{"id":36973,"date":"2025-03-24T17:51:19","date_gmt":"2025-03-24T16:51:19","guid":{"rendered":"https:\/\/www.studiochiesa.it\/?page_id=36973"},"modified":"2025-03-24T17:51:19","modified_gmt":"2025-03-24T16:51:19","slug":"nutrimentum-gallery-fabula","status":"publish","type":"page","link":"https:\/\/www.studiochiesa.it\/en\/nutrimentum-gallery-fabula\/","title":{"rendered":"Fabula"},"content":{"rendered":"
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Fabula<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t Tracce,
intrecci
e tracciati.<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Nella prima sezione la vocazione \u00e8 prettamente narrativa, vi \u00e8 sottesa l\u2019intenzionalit\u00e0 a raccontare un brano di vita, uno scorcio inedito, una geografia immaginaria, un\u2019alchimia botanica. Hanno tale appeal le opere \u201cdi genere\u201d di Francesco Paolo Palizzi<\/strong> (1825-1871), che coglie l\u2019attimo di una giovane contadina, che ci nega lo sguardo, alle prese coi suoi festosi e indisciplinati animali da cortile; di Ludovico Cavaleri <\/strong>(1867-1942), che incendia lo sguardo attraverso un primo piano di grano che si estende fin quasi la met\u00e0 del dipinto, a creare una dolce cesura tra terra, tetti, vallata e cielo: una sola verticale dettata dal fiero campanile. Con Ercole Magrotti<\/strong> (1890-1967) percorriamo una strada che ci stringe tra il limitar del bosco e una vecchia casa, custode di chiss\u00e0 quali storie, mentre le foglie divengono pulviscolo policromo. Una simile stesura per campiture veloci e macchie \u00e8 quella di Achille Attilio Bozzato <\/strong>(1886-1954), che catapulta l\u2019osservatore in un animato scorcio veneziano, dove \u00e8 persino possibile sentire il voc\u00eco della gente. Al contrario si coglie il totale silenzio nell\u2019olio del 1919 di Antonio Pasinetti<\/strong> (1863-1940) titolato Dallo Stelvio<\/em>: qui \u00e8 la montagna innevata a essere l\u2019assoluta protagonista. Romeo Pelegatta<\/strong> (1870-1946), memore di un sentire impressionista, frange la pennellata pastosa in piccoli tocchi restituendo ancor oggi vivida freschezza alle barche e alle acque in cui si specchiano. Ci sono poi una serie di quattro dipinti di paesaggio: sono assolati, tempestosi, malinconici, increspati dal vento o immobili, congelati nell\u2019eternit\u00e0. Di diversi autori non identificati, rappresentano un puzzle di vedute e di storie sospese, dentro le quali \u00e8 piacevole immergersi. Similmente fa Emilio Tadini<\/strong> (1927-2002), poliedrico interprete del Novecento, che combina il rigore di geometrie razionali alla potenza scombinatrice di un surrealismo onirico, dove tutto \u00e8 plausibile ma nulla reale. Di rigore scientifico si veste invece l\u2019operato di Nunzio Paci<\/strong> (1977) che si approccia alla natura con una dedizione assoluta, sezionandola, studiandola, catalogandola, unendo all\u2019esigenza estetica la propensione a entrare nel profondo dei processi fisici, combinando anatomia vegetale e umana. Infine vi sono le fotografie estratte dal progetto performativo Presepe Apparente<\/em> di Michelangelo <\/strong>e Massimiliano Galliani <\/strong>insieme a Marco Petacchi<\/strong>. Realizzato nel 2014 nella Chiesa di San Bernardino alle Ossa, comportava la necessaria interazione del fruitore: solo leggendo ad alta voce i testi sacri compariva il video realizzato dagli artisti. In sostanza l\u2019epifania\u00a0dell\u2019arte coincideva con quella del rito religioso.<\/p>

E.P.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t Tracce,
intrecci
e tracciati.<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tGuglielmo\tTalamini,<\/b> 1867 - 1918
\nSenza titolo<\/b>
\nOlio su tavola <\/b>
\n78 x 59 cm<\/b>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tFrancesco Paolo Palizzi,<\/b> 1825 - 1871
\nSenza titolo<\/b>
\nOlio su tavola <\/b>
\n26 x 21 cm<\/b>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tLudovico Cavaleri,<\/b> 1867 - 1942
\nSenza titolo<\/b>
\nOlio su tavola <\/b>
\n68 x 59 cm<\/b>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tErcole Magrotti,<\/b> 1890 - 1967
\nSenza titolo<\/b>
\nOlio su tavola <\/b>
\n24 x 26 cm<\/b>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tAchille Attilio Bozzato,<\/b> 1896 - 1954
\nSenza titolo<\/b>
\nOlio su tavola <\/b>
\n50 x 64 cm<\/b>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tAntonio Pasinetti,<\/b> 1863 - 1940
\nDallo Stelvio<\/b>
\nOlio su tavola<\/b>
\n28 x 18 cm<\/b>
1919<\/b>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tRomeo Pelegatta,<\/b> 1870 - 1946
\nScogli<\/b>
\nOlio su tavola<\/b>
\n31 x 23 cm<\/b>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tRomeo Pelegatta,<\/b> 1870 - 1946
\nBarca<\/b>
\nOlio su tavola<\/b>
\n29 x 20 cm<\/b>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tRomeo Pelegatta,<\/b> 1870 - 1946
\nLaghi<\/b>
\nOlio su tavola<\/b>
\n31 x 23 cm<\/b>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tAutore Sconosciuto<\/b>
\nPaesaggio marino<\/b>
\nOlio su tavola<\/b>
\n13 x 10 cm<\/b>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tAutore Sconosciuto<\/b>
\nLEM<\/b>
\nTempera su carta<\/b>
\n21 x 9 cm<\/b>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tAutore Sconosciuto<\/b>
\nPaesaggio<\/b>
\nOlio su tavola<\/b>
\n18 x 14 cm<\/b>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tAutore Sconosciuto<\/b>
\nPaesaggio invernale<\/b>
\nOlio su tavola<\/b>
\n20 x 16 cm<\/b>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tEmilio Tadini,<\/b> 1927 - 2002
\nSenza titolo<\/b>
\nSerigrafia P.A. <\/b>
\n49 x 68 cm<\/b>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tNunzio Paci,<\/b> 1977
\nSenza titolo<\/b>
\nOlio su tavola<\/b>
\n30 x 30 cm<\/b>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tNunzio Paci,<\/b> 1977
\nSenza titolo<\/b>
\nOlio su tavola<\/b>
\n30 x 30 cm<\/b>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tNunzio Paci,<\/b> 1977
\nSenza titolo<\/b>
\nTecnica mista su tela<\/b>
\n30 x 30 cm<\/b>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tNunzio Paci,<\/b> 1977
\nSenza titolo<\/b>
\nTecnica mista su tela<\/b>
\n30 x 30 cm<\/b>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tMichelangelo e Massimiliano Galliani, Marco Petacchi<\/b>
\nPresepe apparente<\/b>
\nStampa digitale<\/b>
\n3 x (14 x 14 cm)<\/b>
2014<\/b>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Fabula  Tracce, intrecci e tracciati. Nella prima sezione la vocazione \u00e8 prettamente narrativa, vi \u00e8 sottesa l\u2019intenzionalit\u00e0 a raccontare un brano di vita, uno scorcio inedito, una geografia immaginaria, un\u2019alchimia botanica. Hanno tale appeal le opere \u201cdi genere\u201d di Francesco Paolo Palizzi (1825-1871), che coglie l\u2019attimo di una giovane contadina, che ci nega lo sguardo, […]<\/p>","protected":false},"author":2,"featured_media":37289,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-36973","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nFabula | Tracce,intreccie tracciati. - Studio Chiesa<\/title>\n<meta name=\"description\" content=\"Nella prima sezione vi \u00e8 sottesa l\u2019intenzionalit\u00e0 a raccontare un brano di vita, uno scorcio inedito, una geografia immaginaria...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.studiochiesa.it\/en\/nutrimentum-gallery-fabula\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fabula\" \/>\n<meta property=\"og:description\" content=\"Nella prima sezione vi \u00e8 sottesa l\u2019intenzionalit\u00e0 a raccontare un brano di vita, uno scorcio inedito, una geografia immaginaria...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.studiochiesa.it\/en\/nutrimentum-gallery-fabula\/\" \/>\n<meta property=\"og:site_name\" content=\"Studio Chiesa\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/pages\/Studio-Chiesa\/407194632625821\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.studiochiesa.it\/wp-content\/uploads\/2023\/03\/FABULA_Attilio-Achille-Bozzato_DSC2065.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"832\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.studiochiesa.it\\\/nutrimentum-gallery-fabula\\\/\",\"url\":\"https:\\\/\\\/www.studiochiesa.it\\\/nutrimentum-gallery-fabula\\\/\",\"name\":\"Fabula | Tracce,intreccie tracciati. - 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